[et_pb_section fb_built=”1″ _builder_version=”3.22″ global_colors_info=”{}”][et_pb_row _builder_version=”3.25″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ header_font=”Dancing Script||||||||” header_font_size=”75px” header_font_size_tablet=”55px” header_font_size_phone=”40px” header_font_size_last_edited=”on|tablet” header_text_shadow_style=”preset4″ header_text_shadow_vertical_length=”0.02em” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”underneath” _builder_version=”4.9.4″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.0.7″ global_colors_info=”{}”][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2020\/09\/Under-the-Lintel-FB-Cover-1.png” alt=”Banner for the show Under the Lintel” title_text=”_Under the Lintel FB Cover 1″ align=”center” _builder_version=”4.9.4″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.10.6″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
After discovering a returned book, 113 years overdue, the librarian (portrayed by Owen Robertson) goes on an obsessive quest that takes him around the world and over 2000 years into the past. Join our librarian, in\u00a0UNDERNEATH THE LINTEL<\/strong> for a mysterious and unforgettable 80 minute odyssey.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”natural” _builder_version=”4.6.1″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.0.7″ global_colors_info=”{}”][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2021\/08\/instagramlandscape.jpg” title_text=”instagramlandscape” align=”center” _builder_version=”4.10.1″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.10.6″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Angela is hiding in her basement, as a tornado is fast approaching. As the storm increases in intensity, she begins to reflect on her life and what has led her to this point. Based on Hamlet\u2019s famous \u201cTo be or not to be\u201d soliloquy, NATURAL SHOCKS, by Lauren Gunderson, will take you on an unexpected journey of confession, realization and revelation.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”shayna” _builder_version=”4.3.2″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.0.7″ global_colors_info=”{}”][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2020\/06\/ASM-BIG-bannerFINAL-1-scaled.jpg” title_text=”ASM BIG bannerFINAL (1)” align=”center” _builder_version=”4.4.8″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.10.6″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n After surviving World War II, Lusia is reunited with her father and sister in America. Through a series of memories and fantasies, Lusia explores the joys and sorrows of her life before the war. A heartwarming and hopeful story about a Jewish family finding their way back to each other.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”hundred” _builder_version=”4.3.2″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.0.7″ global_colors_info=”{}”][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2020\/06\/100-banner-scaled.jpg” title_text=”100 banner” align=”center” _builder_version=”4.4.8″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”3.27.4″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” header_2_font_size_tablet=”” header_2_font_size_phone=”28px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n The time is September 1938, and tumultuous social and economic forces, at work across the globe and in the United States during the Great Depression, are being felt in a public school classroom in a rural Connecticut town. Ten-year-old Wanda Petronski is trying to fit in among the other students in Miss Mason\u2019s class, but that isn\u2019t easy. For starters, she\u2019s shy, and a slow reader. Her family\u2019s poor, and they live in a shack on the outskirts of town. But the added stigma Wanda faces as a member of a Polish immigrant family comes to a head when she claims she has one-hundred beautiful dresses\u2014though she\u2019s only ever been seen in one.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ disabled_on=”off|off|off” module_id=”tyn” module_class=” et_pb_row_fullwidth” _builder_version=”4.10.6″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”70%” width_tablet=”90%” width_phone=”100%” width_last_edited=”on|phone” max_width=”89%” max_width_tablet=”80%” max_width_phone=”100%” max_width_last_edited=”on|desktop” hover_enabled=”0″ make_fullwidth=”on” global_colors_info=”{}” module_alignment=”center” sticky_enabled=”0″ custom_css_main_element=”display: flex;” custom_margin=”||||false|false” custom_padding=”||||false|false” use_custom_gutter=”on” gutter_width=”1″][et_pb_column type=”1_2″ _builder_version=”4.10.6″ custom_padding=”|0px||0px|false|false” hover_enabled=”0″ global_colors_info=”{}” custom_padding__hover=”|||” sticky_enabled=”0″][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2019\/06\/TYN-with-photo-no-words.jpg” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” module_id=”columbinus” _builder_version=”4.10.6″ max_width=”60%” custom_margin=”|0px||0px|false|false” custom_padding=”|0px||0px|false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″ module_alignment=”center” max_width_last_edited=”on|desktop” max_width_phone=”90%” max_width_tablet=”90%”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2019\/06\/thankyouposter.jpg” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” module_id=”columbinus” _builder_version=”4.10.6″ max_width=”60%” custom_margin=”|0px||0px|false|false” custom_padding=”|0px||0px|false|false” hover_enabled=”0″ global_colors_info=”{}” module_alignment=”center” sticky_enabled=”0″ max_width_last_edited=”on|desktop” max_width_phone=”90%” max_width_tablet=”90%”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.10.6″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Dating sucks. Disappointing first kisses, dangerous sexcapades, dysfunctional relationships, and awful exes but did you thank those exes?\u00a0\u00a0On her wedding day, Jaime does just that.\u00a0\u00a0What could go wrong?<\/span><\/p>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”8px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2019\/04\/columbinus-BIG-banner-A.jpg” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” module_id=”columbinus” _builder_version=”3.23″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.10.6″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n COLUMBINUS is an intersection of\u00a0fact and fiction (comparable in many ways to\u00a0The Laramie Project<\/i>) that illuminates the realities of adolescent culture by exploring the events surrounding the shootings at Columbine High School nearly twenty years ago. The play weaves together excerpts from discussions with parents, survivors, journals, and community leaders in Littleton as well as police evidence to present this riveting\u00a0docu-drama.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ header_font=”Dancing Script||||||||” header_font_size=”75px” header_text_shadow_style=”preset4″ header_text_shadow_vertical_length=”0.02em” global_colors_info=”{}”][\/et_pb_text][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2018\/10\/ULG-banner-white-logo.jpg” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” module_id=”ugly” _builder_version=”3.23″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.10.6″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n This award winning play chronicles the homecoming of a newly discharged female American soldier to Titusville, Florida. When she returns, Jess is still coming to terms with her own physical and emotional scars as she grapples with the question of \u2018What now?\u2019 As she undergoes a new innovative recovery process involving virtual reality, she builds a new world where she can begin to heal herself.<\/p>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2021\/07\/k-d-banner3-scaled.jpg” title_text=”k & d banner3″ align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” module_id=”keely” _builder_version=”4.9.9″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.10.6″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” hover_enabled=”0″ header_2_font_size_tablet=”30px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Somewhere, a group is holding a young woman in a locked room, against her will.<\/p>\n They aren\u2019t going to hurt her. They don\u2019t want any ransom.<\/p>\n They just want to change her mind about her unwanted pregnancy.<\/p>\n One of two finalists for the Pulitzer Prize for drama in 1994, Jane Martin\u2019s script comes down to a conversation between two women, both of whom have almost everything to lose in our country\u2019s ongoing dispute over reproductive rights.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2021\/08\/proof-banner-FINAL-copy5203-scaled.jpg” title_text=”proof banner FINAL copy%915203%93″ align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” module_id=”proof” _builder_version=”4.10.1″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.10.6″ header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n David Auburn\u2019s Tony Award-winning script examines the difficulties of loving relationships within a neurodiverse family, and the challenges a neurotypical outsider must confront when he begins to care about one of them.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][dsm_icon_divider use_icon=”on” font_icon=”%%34%%” icon_color=”#5b2c6e” _builder_version=”4.6.5″ _module_preset=”default” global_colors_info=”{}”][\/dsm_icon_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/innovocativetheatre.org\/wp-content\/uploads\/2021\/07\/DVJ-facebook-resize-copy.jpg” title_text=”DVJ facebook resize copy” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” module_id=”dark” _builder_version=”4.9.9″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”3.27.4″ text_font_size=”16px” header_font=”||||||||” header_2_font=”||||||||” header_2_font_size=”36px” custom_margin=”50px|||” header_2_font_size_tablet=”” header_2_font_size_phone=”28px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text disabled_on=”off|off|off” admin_label=”Text Desktop” _builder_version=”4.10.6″ custom_padding=”||||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Marie-Claude Tremblay’s mesmerizing solo performance as Andrea, a young woman grappling with what is left of her sanity received rave reviews at the First Annual Tampa International Fringe Festival! Philip Ridley\u2019s harrowing script and Tremblay\u2019s performance made audiences and critics alike laugh, cry, and squirm in their seat.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.21.4″ custom_margin=”1px|||||” custom_padding=”0|0px|2px|0px|false|false” global_module=”118668″ global_colors_info=”{}”][et_pb_row _builder_version=”3.25″ custom_padding=”27px|0px|3px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ global_colors_info=”{}”]<\/p>\nNATURAL SHOCKS<\/h2>\n
A SHAYNA MAIDEL<\/h2>\n
THE HUNDRED DRESSES<\/h2>\n
THANK YOU NOTES<\/h2>\n
COLUMBINUS<\/h2>\n
UGLY LIES THE BONE<\/h2>\n
KEELY & DU<\/h2>\n
PROOF<\/h2>\n
DARK VANILLA JUNGLE<\/h2>\n